Showing posts with label Lensbaby. Show all posts
Showing posts with label Lensbaby. Show all posts

7.26.2009

D is for Durable


M is for Muir, 2009
acrylic, leafing, toner, tea, and wax on panel
7.375" x 7.375"
Click on image for larger view.

When I'm on field trips with my class I don't get too many opportunities to take photographs. The reasons for this should be obvious. However, and here is the great irony, the only times I tend to travel are when I take field trips with my class. Oh wicked conundrum!

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I learned very quickly that only the most durable camera will survive a road-trip with a class of adolescents. That fancy new DSLR would certainly be the most versatile camera, but it would hardly hold up to falling out of the back of the van when the cooler lid is thrown open carelessly in the pursuit of snacks. So, I opt for indestructible over versatile, and always bring my trusty manual Nikon FE with a first-gen Lensbaby. The Lensbaby, while exceedingly limited in what it can do, has no glass components. That means that 70lbs. of lumpy duffle bag can be thrown on top of it and nothing much will happen to the simple plastic bellows.

* * * * *

M is for Muir was taken in the California Redwoods as we wound our way down to San Francisco. The students were completely immersed in ensuring that the quiet majesty of the Redwoods was anything but quiet so I took a moment to fixate on a few of the fallen giants that bordered the path. As usual, some yahoo had felt the need to deface the soft orange bark of a 200' long nurse log and that is what I ended up photographing. I'm still a bit unsure as to why I compile so many images of initials carved into trees— I suppose because defacing a tree is not all that different an act from taking a picture. Both claim that one tiny presence shared a moment with something much greater.

6.17.2008

Road Trip Proofs


Flickr and I have been strangers for too long. Therefore, I spent the morning culling a few images from my recent jaunt to the Bay Area and offering them up to the masses.

As I was traveling with adolescents I felt it safer to bring my hearty SLR with Lensbaby as opposed to my frail but versatile digital SLR. Such foresight was rewarded when my camera was mispacked atop a mound of duffel bags and fell out of the back of the van before we even left the school driveway. Twenty minutes of personal panic ensued when my shutter failed to work, but eventually I realized that the batteries had been jarred in their housing and needed to be reset.

One of the most amusing things about using only a Lensbaby on a trip is that you are constantly explaining to people why you can’t take a group picture in front of the fountain, forest, waterfall, wild animal, etc. Despite many profound insights into the history of lenses, the artist’s vision, and the ingredients of the sublime I’m inevitably given a frustrated “what’s the point” look that silences any further explanation. I’m not offended. People are welcome to want prosaic group photographs just as I’m welcome to photograph moss and lichen. In the end, who can say which will provide a finer recounting of experience?

11.23.2007

Thanks


I want to give thanks for those things that are so vital to my art practice— those tools, entities, and ideas that assist me in realizing my myriad creative efforts.* Family, friends, and pets should not feel slighted about being absent from this tally as you are all well loved and much appreciated. This is a list for everyone and everything else. With the exception of the top three, they are presented in no particular order.

1. X-acto knife— The single most useful item of any creative artist (even after the advent of the personal computer). Sleek, dangerous, high-maintenance, and impossible to live without.

2. Metal ruler— The x-acto knife’s less glamorous sidekick who keeps it all straight.

3. Glue stick— Now that everything is cut out what are you going to use to put it all down? It dries quick but is fairly forgivable. It also dries clear. But beware that purple kind and make sure there’s plenty of scrap paper about to use as a blotter in order to avoid messy glue migration.

4. The studio— A designated space away from home that gives you room to work and a place to focus your creative energy. I had no idea how important this was until I was lucky enough to obtain one. 2007 has allowed me to move out of the dining room corner and into artistic legitimacy. Bonus feature: the cat can’t sleep on my charcoal drawings any longer.

5. Kneadable eraser— Beloved by everyone who encounters it, the kneadable eraser can be shaped for precision erasing and used as a tension taming sculpture medium when there’s nothing else around.

6. Clickable eraser— Handles like a pencil but with far more erasing power.

7. Gesso— The single most important paint medium. Don’t ask me to justify that statement because believe me, I can. My photographic transfers would have to rely on fairly toxic means without gesso. Gesso is around when I need a quick white paint. You can sand it smooth or build it up around a form to take on impressive dimension. Did I mention it was a primer? Now that I’m thinking about it, gesso should really be in the number two or three position on this list. I’d cut-and-paste it up there except for the implicit irony that would engender.

8. Large format photocopy machine— Meant for architects and contractors to reproduce plans this machine turns tiny pinhole photographs into massive black and white vistas.

9. Rives BFK— King of papers. Run it through the letterpress or use it in lieu of canvas. BFK can be purchased in a roll that will last even the most ambitious painter a few months.

10. India ink— Black. Permanent. Enough said.

11. Pushpins— How else can you put something on the wall and gain some perspective? The clear-headed push pin is an ubiquitous feature in art school classrooms around the world. Pushpins are used daily and, I’ve recently discovered, available in a very fashionable matte black that elevates the pin to an acceptable means of display on the gallery wall.

12. Nikon FE SLR camera— Not delicate and fussy like those new-fangled digital cameras, the manual FE can be dropped, exposed to horrible weather, and neglected for years without forgetting its primary function: to take pictures when I want it to. The built in light meter keeps me close to the mark but the fully manual operation gives me the freedom to take whatever out-of-focus blurry image I want. Perfect. Why did the photographic world ever feel the need to evolve?

13. Lensbaby— While on the topic of photography lets here it for Portland innovation! The Lensbaby makes me think I’m Keith Carter every time I release the shutter. Of course, upon receiving the prints, it’s clear that Mr. Carter and I are at different stages of our photographic development (no pun intended), but the Lensbaby always helps me live the dream for a little while.

14. 2” Paintbrush— Skip the over-priced art store and head straight for your hardware supplier. One high-quality house painting brush has helped me complete 80% of the painting I’ve done in the past decade. Treat it well and you’ll save a bundle on bristles.

15. Powdered graphite— Very useful for getting a quick overall tone. It prevents me from having to shave the tips of pencils and a little goes a very long way.

16. Benefactors/Patrons— I’ve been luck enough to have a few over the years. Without their support art-making probably would have proven to difficult and too demoralizing. The enthusiasm and generosity of others prevents you from believing too firmly in all those ridiculous Romantic ideas about mad, suffering, artists.

17. Adobe Creative Suite— The sky is the limit. Design anything you can imagine and see it take 2D form. While it seems contrary to the handwork of my art practice, I’ve found Adobe’s programs to be life-savers in helping manipulate images and ideas over the years.

18. Cordless drill— Install hardware, hang pictures, and build whatever inane maquette you like. Free of the restrictions that a plug brings you can quickly move as quickly between tasks as you do ideas.

19. Chop saw— How can you make picture frames without a chop saw?

20. Sticky tack—Earthquake insurance that also keeps your frames level. . . and it’s reusable. A great product that should make tape feel ashamed.

* I’m not being paid to endorse any of the items on this list. Trademarked names are used because, in many cases, that is how all the artists I know continue to refer to them. Those companies should feel happy to know that their branding efforts are paying off. Any person or company listed above who’d like to pay me for this endorsement is welcome to contact me.